“Our vision is continually active, continually holding things in a circle around itself.” Photographer Emily Lipson and fashion editor Delphine Danhier collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
From sacred hot springs to the Esalen Institute, where does the ‘mystical-type experience’ emerge in Big Sur? For Document’s Fall/Winter 2024–25 issue, Angie Sijun Lou reflects on how self-optimization and psychedelic liberation are shaping life in Northern California
Music YATTA premieres ‘MTV,’ their music-video remix of suburbia For Document, the musician and artist gives an exclusive behind-the-scenes interview on the multivalent universe of faith, pop, and experimentation contained within their newest record,...
Art Mike Kelley’s final paintings are character studies of the lost self In this portfolio of never-before-exhibited images from Document’s Fall/Winter 2024–25 issue, the late artist reveals fractured lines of humor, submission, and solitude
Above the Fold Privacy expert Clare Garvie explains why your face is already in a criminal lineup Biometric surveillance is coming for you, even if you have 'nothing to hide' by Alex Hodor-Lee Above the Fold Trevor Paglen wants you to stop seeing like a human The artist on CIA-funded facial recognition technology, images in the post-truth era, and why AI is its own form of politics by Camille Sojit Pejcha At Large The blurred faces—and ethics—of protest photography Amid revelations of the NYPD’s biometric surveillance programs, photojournalists are forced to reconsider photography in public space. by Alex Hodor-Lee
Above the Fold Privacy expert Clare Garvie explains why your face is already in a criminal lineup Biometric surveillance is coming for you, even if you have 'nothing to hide' by Alex Hodor-Lee
Above the Fold Trevor Paglen wants you to stop seeing like a human The artist on CIA-funded facial recognition technology, images in the post-truth era, and why AI is its own form of politics by Camille Sojit Pejcha
At Large The blurred faces—and ethics—of protest photography Amid revelations of the NYPD’s biometric surveillance programs, photojournalists are forced to reconsider photography in public space. by Alex Hodor-Lee