Above the Fold

The vulgar, campy, radical world of filmmaker Bruce LaBruce

From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art

by Amelia Abraham

Above the Fold

Ruth Wilson Gilmore’s politics of care

The prison abolitionist and scholar discusses community policing, the failure of Anglo-American geography, and the notion of freedom as a place

by Amelia Abraham