A truth which any intellectually honest critic will recognize Photographer Liz Collins, beauty editor Siddhartha Simone, and fashion editor Éline Hoyois. collaborate on this beauty portfolio for Notes on Beauty's first issue
Fashion Rick Owens Spring/Summer 2026: To bathe in the ‘Temple of Love’ Named after Owens's retrospective which opened directly following the show, the collection was a baroque-inspired, leather-filled homage to the designer's career
Photography “Did anything happen in Leeds–yes, yes it did” In ‘Melanie and the Miners’ Strike,’ artist Victoria Gill reframes cultural memory with her mother’s glam snapshots of the 1980s in Northern England
The capacity to be overwhelmed by the beautiful is astonishing Photographer Jean Marques, Beauty Editor Lucy Bridge, and Fashion Editor Joel Traptow collaborate on this beauty portfolio for Notes on Beauty's first issue
Above the Fold 1984 or 2022? An Orwellian interpretation of ‘Stars At Noon’ The latest film by French director Claire Denis doesn’t describe a dystopia to come, but one which has already settled in to stay by Noah Berlatsky Conversations Margaret Qualley and Miranda July are embracing the power of pretend For Document’s Winter 2021/Resort 2022 issue, the two creative multihyphenates discuss make-believe worlds, roleplaying with the ones you love, and why their friendship has prevented... by Camille Sojit Pejcha
Above the Fold 1984 or 2022? An Orwellian interpretation of ‘Stars At Noon’ The latest film by French director Claire Denis doesn’t describe a dystopia to come, but one which has already settled in to stay by Noah Berlatsky
Conversations Margaret Qualley and Miranda July are embracing the power of pretend For Document’s Winter 2021/Resort 2022 issue, the two creative multihyphenates discuss make-believe worlds, roleplaying with the ones you love, and why their friendship has prevented... by Camille Sojit Pejcha
