Fashion Rick Owens Spring/Summer 2026: To bathe in the ‘Temple of Love’ Named after Owens's retrospective which opened directly following the show, the collection was a baroque-inspired, leather-filled homage to the designer's career
Photography “Did anything happen in Leeds–yes, yes it did” In ‘Melanie and the Miners’ Strike,’ artist Victoria Gill reframes cultural memory with her mother’s glam snapshots of the 1980s in Northern England
The capacity to be overwhelmed by the beautiful is astonishing Photographer Jean Marques, Beauty Editor Lucy Bridge, and Fashion Editor Joel Traptow collaborate on this beauty portfolio for Notes on Beauty's first issue
Fashion Lot 001: Dressing the auction house FRAME and Sotheby’s reimagine the art world uniform in a collaborative capsule collection, fittingly launched with an uptown dinatoire
Above the Fold In the rearview mirror of Kenneth Tam’s ‘The Medallion’ Recently on view at Bridget Donahue, the Queens-born artist's solo exhibition is a multimedia intervention on broken dreams and the taxi medallion crisis by Qingyuan Deng Above the Fold Kenneth Tam confronts Asian American masculinity in ‘Silent Spikes’ Referencing the cowboy archetype and the narratives of Chinese Transcontinental Railroad workers, the artist tackles the complexity of male-to-male bonds in his latest exhibition by Jordan Aaron Guy
Above the Fold In the rearview mirror of Kenneth Tam’s ‘The Medallion’ Recently on view at Bridget Donahue, the Queens-born artist's solo exhibition is a multimedia intervention on broken dreams and the taxi medallion crisis by Qingyuan Deng
Above the Fold Kenneth Tam confronts Asian American masculinity in ‘Silent Spikes’ Referencing the cowboy archetype and the narratives of Chinese Transcontinental Railroad workers, the artist tackles the complexity of male-to-male bonds in his latest exhibition by Jordan Aaron Guy