Literature ‘Like Love’ guides readers through years of Maggie Nelson’s thoughtful work The autotheorist’s latest book is a best-of collection of essays equal parts academic and personal
Art Danielle Mckinney’s portraits of glamor On view at Marianne Boesky Gallery in Chelsea, the artist’s paintings are a gleaming tribute to womanhood and perfectionism
Fashion ESSX evolves the New York retail landscape At an iconic intersection on the LES, the multi-brand retailer redefines what it means to shop luxury Downtown
Conversations Tommy Pico and Carmen Maria Machado investigate horror as a reflection of the American psyche For Document’s Winter/Resort 2023 issue, the writers delve deep into our collective subconscious to reveal the inextricable link between desire and fear by Camille Sojit Pejcha Above the Fold Halloween films for lovers of arthouse horror, and the best snacks to pair them with From nightmarish fairytales to gritty psychological thrillers, Document selects 10 cinematic gems to watch this month by Diego Sacramento Above the Fold ‘Hellraiser’ promises pleasurable pain, but delivers only agony The remake of Clive Barker’s classic horror film aims to explore the furthest regions of experience, but ends up as an accidental meta-commentary by Noah Berlatsky Above the Fold We are the virus: body horror films reflect humanity at its most grotesque From 'Alien' to 'The Thing,' body horror exposes the deeper evils that capitalism has left to fester by Noah Berlatsky
Conversations Tommy Pico and Carmen Maria Machado investigate horror as a reflection of the American psyche For Document’s Winter/Resort 2023 issue, the writers delve deep into our collective subconscious to reveal the inextricable link between desire and fear by Camille Sojit Pejcha
Above the Fold Halloween films for lovers of arthouse horror, and the best snacks to pair them with From nightmarish fairytales to gritty psychological thrillers, Document selects 10 cinematic gems to watch this month by Diego Sacramento
Above the Fold ‘Hellraiser’ promises pleasurable pain, but delivers only agony The remake of Clive Barker’s classic horror film aims to explore the furthest regions of experience, but ends up as an accidental meta-commentary by Noah Berlatsky
Above the Fold We are the virus: body horror films reflect humanity at its most grotesque From 'Alien' to 'The Thing,' body horror exposes the deeper evils that capitalism has left to fester by Noah Berlatsky