Art Soren Hope paints what the eye can’t hold For their first solo show in New York, the artist blurs the line between the real and the abstract, bending illusion to explore what it...
Nightlife FLINTA visionaries Dominga and Volvox wield mind, body, and soul to disarm nightlife As Partners in life, love, and work, they DJ internationally, perform punk shows, study music, walk runways, and finish each other’s sentences in conversation with...
Music After eight years in the wilderness, Miguel is reborn in ‘CAOS’ Marked by fatherhood, divorce, and a shelved album, the Grammy-winning artist releases his grunge-inflected record confronting harsh political realities and personal reckoning
Art The curators shaping the future of archives: Drew Sawyer For the third installment of Document’s series, Whitney Museum of American Art's Sondra Gilman Curator of Photography Drew Sawyer carries the ethical responsibilities of narrating...
Above the Fold The two sides of techno-speculation in DESTE Foundation’s ‘Dream Machines’ The exhibition catalogue considers the generative role of technology in art making and looks to old futures for signs of our present moment by India Ennenga At Large Anicka Yi’s paintings are living, autonomous creatures Following her 'ÄLñ§ñ' exhibition, the artist joins Hans-Ulrich Obrist to discuss why art and science should mingle by Megan Hullander
Above the Fold The two sides of techno-speculation in DESTE Foundation’s ‘Dream Machines’ The exhibition catalogue considers the generative role of technology in art making and looks to old futures for signs of our present moment by India Ennenga
At Large Anicka Yi’s paintings are living, autonomous creatures Following her 'ÄLñ§ñ' exhibition, the artist joins Hans-Ulrich Obrist to discuss why art and science should mingle by Megan Hullander
