Art Soren Hope paints what the eye can’t hold For their first solo show in New York, the artist blurs the line between the real and the abstract, bending illusion to explore what it...
Nightlife FLINTA visionaries Dominga and Volvox wield mind, body, and soul to disarm nightlife As Partners in life, love, and work, they DJ internationally, perform punk shows, study music, walk runways, and finish each other’s sentences in conversation with...
Music After eight years in the wilderness, Miguel is reborn in ‘CAOS’ Marked by fatherhood, divorce, and a shelved album, the Grammy-winning artist releases his grunge-inflected record confronting harsh political realities and personal reckoning
Art The curators shaping the future of archives: Drew Sawyer For the third installment of Document’s series, Whitney Museum of American Art's Sondra Gilman Curator of Photography Drew Sawyer carries the ethical responsibilities of narrating...
Above the Fold Francesco Vezzoli confronts the legacy of the classical The artist joins Document to dissect ‘VITA DULCIS,’ his exhibition of multimedia fantasias decontextualizing antiquity for modern contexts by Patrick Crowley Above the Fold Tokens of a Type: How Levi’s AI models continue a history of human-averaging Artificial Intelligence may be new, but its racial and gender-based biases are not—paradoxically disappearing the individual under the guise of championing diversity by Patrick Crowley
Above the Fold Francesco Vezzoli confronts the legacy of the classical The artist joins Document to dissect ‘VITA DULCIS,’ his exhibition of multimedia fantasias decontextualizing antiquity for modern contexts by Patrick Crowley
Above the Fold Tokens of a Type: How Levi’s AI models continue a history of human-averaging Artificial Intelligence may be new, but its racial and gender-based biases are not—paradoxically disappearing the individual under the guise of championing diversity by Patrick Crowley
