Art During Salone del Mobile, Zegna debuts ‘Born in Oasi,’ a book dedicated to the brand’s historied relationship to nature The Italian luxury brand transformed its headquarters in Milan’s design district into an interactive exhibit designed to connect high fashion and environmental consciousness
Art Danny Lim takes us into the unseen heart of Stockholm In his new photobook ‘Green’, the New York-based photographer turns his camera on the expressive youth and mossy parklands of Stockholm’s industrial waterfront
Art In ‘Body Objects,’ artists and designers sculpt hair, silicone, and bacteria Designer Brecht Wright Gander’s curatorial debut takes on a semi-animate world
Art SculptureCenter’s annual gala celebrates creative community Editor of Arts and Lifestyle Katie Rex takes you inside the event honoring artists and champions of the institution
Above the Fold Oscar yi Hou makes art from the spaces in between Replete with Chinese motifs and symbols of Americana, the portraits in ‘East of sun, west of moon’ examine the performance of ethnicity and race by Madison Bulnes Above the Fold At Art Partner’s #CreateCOP27 competition, creatives make the global climate emergency personal Across mediums, the event unites scenes of natural disaster with community action by Madeleine Beck Above the Fold Andy Harman recycles the detritus from the myth of fashion In his latest exhibition, the set designer and sculptor plays with the conflict between the familiar and the peculiar by Yuki Xu Above the Fold Inside the sixth FotoFocus biennial, as told by an art world outsider The largest biennial of its kind in America, the month-long celebration aims to foreground purposely-forgotten stories by Madison Bulnes Above the Fold Noel de Lesseps makes a practice of play To the Brooklyn-based painter, art is an opportunity to reinvigorate a sense of childlike wonder by Syd Walker Above the Fold Sophia Giovannitti is not your muse In her new solo show, ‘Study 4: Collateral,’ the artist and auteur welds an ideology that reconsiders gendered assumptions by Razzi Schlosser Above the Fold Ian Strange casts the suburban home in a new light For FotoFocus’s 2022 Biennial, the multidisciplinary artist created two architectural interventions centered around the act of looking by Madison Bulnes Above the Fold Inside FORMAT, the festival bringing cyborgs and sex therapy to the Ozarks Held in the town that Walmart built, its inaugural edition offered attendees a choose-your-own-adventure-style journey designed to blend art, music, and technology by Camille Sojit Pejcha Above the Fold For artist Keegan Monaghan, empathy needs no context The painter’s latest exhibition, ‘Indicator,’ utilizes the close-up as a gateway to emotion and uncanny points of view by Morgan Becker Above the Fold Charles Atlas’s ‘The Mathematics of Consciousness’ lives in the brain of the artist The projection-based installation toys with dance sequences, numerical fantasies, and internet memes, drawing connections through seemingly disparate forms by Megan Hullander Above the Fold A decolonized art world can’t be built on diversity alone David Zwirner outpost 52 Walker proposed an all-Black staff—but should mega-galleries have a say in reforming the inequities they profit from? by Priya Gandhi Above the Fold Celebrating Kaari Upson’s voyeuristic, uncanny world A year following her death, a DESTE Foundation retrospective sheds new light on the American artist’s work by Ann Binlot Above the Fold For Lutfi Janania Zablah, the botanical world is boundless The artist joins Document to discuss the universality of flowers, his sculptural practice, and the expansion of his design studio into the interior by Morgan Becker Above the Fold Anna Delvey wants to be the new face of prison reform The faux heiress on her newfound interest in political advocacy, the death of American entrepreneurship, and going from con artist to fine artist by Camille Sojit Pejcha Above the Fold To Spencer Sweeney, nightlife is a protean and ever-changing landscape The artist joins Document to discuss ‘Perfect,’ his iconic party paintings, and breathing life back into New York’s downtown by Madison Bulnes At Large From El Paso to Harlem: Troy Montes-Michie explores the subversive history of the zoot suit For Document’s tenth anniversary, the artist joins independent curator Monique Long to expand on the lasting allure of the iconic ensemble by Monique Long Above the Fold Guilherme da Silva’s ‘Overture’ constructs a queer Arcadia The Brazilian photographer joins Document to discuss his zine, which documents friendship and love amid an oppressive political climate by Olivia Noss Above the Fold ‘Elegies’ investigates the presence—and absence—of the Black body Curated by Monique Long, the exhibition features an international roster of artists who have expanded the meaning of still life by Madeleine Beck Above the Fold Britt Lloyd meditates on masculinity and biophilic utopias The photographer and filmmaker joins Document to reflect on the parallels between male beauty and the colossal shapes of nature by Olisa Tasie-Amadi Jr. Above the Fold Sean Pablo’s ‘A Season in Hell’ finds stillness in life’s fleeting moments In the first exhibition from the pro skater, musician and artist, Pablo transports us into his childhood home for a multimedia viewing experience by Syd Walker At Large Jimmy DeSana, an iconoclast even within the ’70s avant-garde, is finally entering mainstream consciousness Laurie Simmons and Drew Sawyer discuss the late artist’s AIDS-era collages in a portfolio for Document’s tenth anniversary by Megan Hullander At Large Nicolas Party warps familiar realities into an unsettling world of his own The Swiss artist discusses his otherworldly portfolio and paying homage to the rattlesnake in his painting of Joan Didion for Document’s Tenth Anniversary cover by Ann Binlot Above the Fold Chasing lions: Inside the 2022 Venice Biennale This year’s awarding of the Golden Lion for Best National Pavilion raised questions around the subjectivity of art and the evolving values of critics by Justin Polera Above the Fold For Hyd, music is a vessel for material transformation From geothermal mud fields to Death Valley, the artist explores the energetic properties of the earth in three new music videos premiering exclusively for Document by Camille Sojit Pejcha Above the Fold Racquel Chevremont and Mickalene Thomas curate a show that subverts tradition At Parrish Art Museum, ‘Set It Off’ pulls from an international roster of artists to address themes of sexuality, memory, and identity by Madeleine Beck Above the Fold Nep Sidhu’s ‘Paradox of Harmonics’ is a creative act of gratitude The multidisciplinary artist’s first solo exhibition in the US is rooted in Detroit’s lineage of creative collaboration by Peter Miklas Above the Fold Sasha Gordon’s ‘Hands of Others’ employs the surreal to look inwards The painter’s debut solo show, on view at Jeffrey Deitch, interrogates the nature of self-image and cultural representation by Morgan Becker Above the Fold Cartier looks to the past and future of Islamic art The exhibition at the Dallas Museum of Art paints a picture of modernity that honors antiquity by Morgan Becker Above the Fold Piero Gilardi’s ‘Tappeto-Natura’ seeks reconciliation between nature and the future The artist’s debut American exhibition, which renders organic landscapes from synthetic material, is on view at Magazzino Italian Art by Morgan Becker Above the Fold Peter LaBier’s paintings reckon with the freedoms and limitations of lockdown Conceived at the height of the pandemic, STO LAT Gallery’s inaugural physical show plays with symbols of control, isolation, escalation, and hope by Morgan Becker Above the Fold Fairchain imagines an art market that centers the artist The founders of the blockchain-based platform meet with Renee Cox and gallerist Hannah Traore to discuss collaboration, royalties, and why creatives can’t work for free by Morgan Becker Above the Fold How the zoot suit became a symbol of political resistance The iconic trend was disruptive and seductive, bestowing communities with power from Harlem to LA by Daniella Brito Above the Fold The scientific creative process, as told by the unrealized works of Chris Burden ‘Poetic Practical,’ a new book from Gagosian, presents 67 abandoned projects surrounding architecture, power, and political systems by Morgan Becker Above the Fold Jacqueline Rabun’s jewelry doubles as wearable sculpture The designer finds inspiration in birth, love, and transformation by Peter Miklas Above the Fold Robin Frohardt examines the inevitably of plastic In her exhibit, the Plastic Bag Store, plastic is more than a byproduct, it’s the main feature of the modern consumer experience by Jeremy Steinberger Above the Fold Nicolas Party’s universe extends beyond the canvas Phaidon’s monograph on the artist delves into color theory, graffiti culture, and the importance of perspective by Document Journal Above the Fold Devon DeJardin centers guardians in ‘Giants’ In his first New York solo exhibition, the multimedia artist elevates his work in narrative and scale by Megan Hullander Above the Fold NFTs have funded everything from healthcare to war, but are museums above the medium? Cultural institutions are cashing in on the blockchain boom, arguably compromising the physical collections they own by Megan Hullander Above the Fold Pol Anglada’s ‘HOLE’ is erotic, not pornographic The Spanish artist explores queer fetish and desire in a solo exhibition at Tom of Finland’s CULTUREEDIT gallery by Megan Hullander Above the Fold Shio Kusaka’s ‘one light year’ celebrates the essential qualities of ceramic art Both repetitive and imperfect, the artist’s latest works celebrate the subtle contradiction of the medium by Morgan Becker Above the Fold Genesis Tramaine’s paintings find God in Black, queer community The artist presents ‘Break of Day,’ an exhibition of portraits that redefine the genre of religious art by Morgan Becker Above the Fold Alix Vernet’s latest solo show honors New York’s forgotten corners 'And They Earned Eternity in a Brief Space of Time' explores public memory and the city's downtown architecture by Syd Walker Above the Fold Mimi Park’s world-building renders art a living entity The artist’s latest exhibition, ‘Dawning: dust, seeds, Coplees,’ presents kinetic sculptures and lush greenery by Morgan Becker Above the Fold Thomas Bayrle’s superforms construct the archetypes of mass society The artist's latest show, ‘Monotony in a hurry,’ features portraits of modern media's most ubiquitous faces by Morgan Becker Above the Fold ‘The Andy Warhol Diaries’ offers a glimpse into the mind of the enigmatic American artist Christie's presents an online sale of 60 iconic works, including paintings, photographs, drawings, and a single NFT by Document Journal Above the Fold Suchitra Mattai’s Guyana exists in the gaps of the Western archive The artist's latest exhibition 'Herself as Another' pulls from oral history and personal memory to reconstruct a picture of home by Emann Odufu Above the Fold Liora Kaplan explores personal history and collective memory through ceramics The artist joins curator Julie Boukobza in conversation to speak on her love for found objects and seeing creative work as a meditative practice by Kayla Herrera-Daya Above the Fold Martine Syms illuminates a space between secular and sacred at Prada Mode Los Angeles During Frieze Los Angeles, the artist and filmmaker created an interactive installation, 'HelLa World,' at Fairfax's Genghis Cohen restaurant by Hannah Ongley Above the Fold In his New York solo debut, Ross Simonini explores the concept of a feel-good painting With language and laughter as his tools, the artist creates an idiosyncratic body of work by Rachel Small Above the Fold A defaced 1930s-era painting raises questions about history versus virality How one bored security guard’s vandalism sparked a worldwide debate on the subjectivity of artistic value by Megan Hullander
Above the Fold Oscar yi Hou makes art from the spaces in between Replete with Chinese motifs and symbols of Americana, the portraits in ‘East of sun, west of moon’ examine the performance of ethnicity and race by Madison Bulnes
Above the Fold At Art Partner’s #CreateCOP27 competition, creatives make the global climate emergency personal Across mediums, the event unites scenes of natural disaster with community action by Madeleine Beck
Above the Fold Andy Harman recycles the detritus from the myth of fashion In his latest exhibition, the set designer and sculptor plays with the conflict between the familiar and the peculiar by Yuki Xu
Above the Fold Inside the sixth FotoFocus biennial, as told by an art world outsider The largest biennial of its kind in America, the month-long celebration aims to foreground purposely-forgotten stories by Madison Bulnes
Above the Fold Noel de Lesseps makes a practice of play To the Brooklyn-based painter, art is an opportunity to reinvigorate a sense of childlike wonder by Syd Walker
Above the Fold Sophia Giovannitti is not your muse In her new solo show, ‘Study 4: Collateral,’ the artist and auteur welds an ideology that reconsiders gendered assumptions by Razzi Schlosser
Above the Fold Ian Strange casts the suburban home in a new light For FotoFocus’s 2022 Biennial, the multidisciplinary artist created two architectural interventions centered around the act of looking by Madison Bulnes
Above the Fold Inside FORMAT, the festival bringing cyborgs and sex therapy to the Ozarks Held in the town that Walmart built, its inaugural edition offered attendees a choose-your-own-adventure-style journey designed to blend art, music, and technology by Camille Sojit Pejcha
Above the Fold For artist Keegan Monaghan, empathy needs no context The painter’s latest exhibition, ‘Indicator,’ utilizes the close-up as a gateway to emotion and uncanny points of view by Morgan Becker
Above the Fold Charles Atlas’s ‘The Mathematics of Consciousness’ lives in the brain of the artist The projection-based installation toys with dance sequences, numerical fantasies, and internet memes, drawing connections through seemingly disparate forms by Megan Hullander
Above the Fold A decolonized art world can’t be built on diversity alone David Zwirner outpost 52 Walker proposed an all-Black staff—but should mega-galleries have a say in reforming the inequities they profit from? by Priya Gandhi
Above the Fold Celebrating Kaari Upson’s voyeuristic, uncanny world A year following her death, a DESTE Foundation retrospective sheds new light on the American artist’s work by Ann Binlot
Above the Fold For Lutfi Janania Zablah, the botanical world is boundless The artist joins Document to discuss the universality of flowers, his sculptural practice, and the expansion of his design studio into the interior by Morgan Becker
Above the Fold Anna Delvey wants to be the new face of prison reform The faux heiress on her newfound interest in political advocacy, the death of American entrepreneurship, and going from con artist to fine artist by Camille Sojit Pejcha
Above the Fold To Spencer Sweeney, nightlife is a protean and ever-changing landscape The artist joins Document to discuss ‘Perfect,’ his iconic party paintings, and breathing life back into New York’s downtown by Madison Bulnes
At Large From El Paso to Harlem: Troy Montes-Michie explores the subversive history of the zoot suit For Document’s tenth anniversary, the artist joins independent curator Monique Long to expand on the lasting allure of the iconic ensemble by Monique Long
Above the Fold Guilherme da Silva’s ‘Overture’ constructs a queer Arcadia The Brazilian photographer joins Document to discuss his zine, which documents friendship and love amid an oppressive political climate by Olivia Noss
Above the Fold ‘Elegies’ investigates the presence—and absence—of the Black body Curated by Monique Long, the exhibition features an international roster of artists who have expanded the meaning of still life by Madeleine Beck
Above the Fold Britt Lloyd meditates on masculinity and biophilic utopias The photographer and filmmaker joins Document to reflect on the parallels between male beauty and the colossal shapes of nature by Olisa Tasie-Amadi Jr.
Above the Fold Sean Pablo’s ‘A Season in Hell’ finds stillness in life’s fleeting moments In the first exhibition from the pro skater, musician and artist, Pablo transports us into his childhood home for a multimedia viewing experience by Syd Walker
At Large Jimmy DeSana, an iconoclast even within the ’70s avant-garde, is finally entering mainstream consciousness Laurie Simmons and Drew Sawyer discuss the late artist’s AIDS-era collages in a portfolio for Document’s tenth anniversary by Megan Hullander
At Large Nicolas Party warps familiar realities into an unsettling world of his own The Swiss artist discusses his otherworldly portfolio and paying homage to the rattlesnake in his painting of Joan Didion for Document’s Tenth Anniversary cover by Ann Binlot
Above the Fold Chasing lions: Inside the 2022 Venice Biennale This year’s awarding of the Golden Lion for Best National Pavilion raised questions around the subjectivity of art and the evolving values of critics by Justin Polera
Above the Fold For Hyd, music is a vessel for material transformation From geothermal mud fields to Death Valley, the artist explores the energetic properties of the earth in three new music videos premiering exclusively for Document by Camille Sojit Pejcha
Above the Fold Racquel Chevremont and Mickalene Thomas curate a show that subverts tradition At Parrish Art Museum, ‘Set It Off’ pulls from an international roster of artists to address themes of sexuality, memory, and identity by Madeleine Beck
Above the Fold Nep Sidhu’s ‘Paradox of Harmonics’ is a creative act of gratitude The multidisciplinary artist’s first solo exhibition in the US is rooted in Detroit’s lineage of creative collaboration by Peter Miklas
Above the Fold Sasha Gordon’s ‘Hands of Others’ employs the surreal to look inwards The painter’s debut solo show, on view at Jeffrey Deitch, interrogates the nature of self-image and cultural representation by Morgan Becker
Above the Fold Cartier looks to the past and future of Islamic art The exhibition at the Dallas Museum of Art paints a picture of modernity that honors antiquity by Morgan Becker
Above the Fold Piero Gilardi’s ‘Tappeto-Natura’ seeks reconciliation between nature and the future The artist’s debut American exhibition, which renders organic landscapes from synthetic material, is on view at Magazzino Italian Art by Morgan Becker
Above the Fold Peter LaBier’s paintings reckon with the freedoms and limitations of lockdown Conceived at the height of the pandemic, STO LAT Gallery’s inaugural physical show plays with symbols of control, isolation, escalation, and hope by Morgan Becker
Above the Fold Fairchain imagines an art market that centers the artist The founders of the blockchain-based platform meet with Renee Cox and gallerist Hannah Traore to discuss collaboration, royalties, and why creatives can’t work for free by Morgan Becker
Above the Fold How the zoot suit became a symbol of political resistance The iconic trend was disruptive and seductive, bestowing communities with power from Harlem to LA by Daniella Brito
Above the Fold The scientific creative process, as told by the unrealized works of Chris Burden ‘Poetic Practical,’ a new book from Gagosian, presents 67 abandoned projects surrounding architecture, power, and political systems by Morgan Becker
Above the Fold Jacqueline Rabun’s jewelry doubles as wearable sculpture The designer finds inspiration in birth, love, and transformation by Peter Miklas
Above the Fold Robin Frohardt examines the inevitably of plastic In her exhibit, the Plastic Bag Store, plastic is more than a byproduct, it’s the main feature of the modern consumer experience by Jeremy Steinberger
Above the Fold Nicolas Party’s universe extends beyond the canvas Phaidon’s monograph on the artist delves into color theory, graffiti culture, and the importance of perspective by Document Journal
Above the Fold Devon DeJardin centers guardians in ‘Giants’ In his first New York solo exhibition, the multimedia artist elevates his work in narrative and scale by Megan Hullander
Above the Fold NFTs have funded everything from healthcare to war, but are museums above the medium? Cultural institutions are cashing in on the blockchain boom, arguably compromising the physical collections they own by Megan Hullander
Above the Fold Pol Anglada’s ‘HOLE’ is erotic, not pornographic The Spanish artist explores queer fetish and desire in a solo exhibition at Tom of Finland’s CULTUREEDIT gallery by Megan Hullander
Above the Fold Shio Kusaka’s ‘one light year’ celebrates the essential qualities of ceramic art Both repetitive and imperfect, the artist’s latest works celebrate the subtle contradiction of the medium by Morgan Becker
Above the Fold Genesis Tramaine’s paintings find God in Black, queer community The artist presents ‘Break of Day,’ an exhibition of portraits that redefine the genre of religious art by Morgan Becker
Above the Fold Alix Vernet’s latest solo show honors New York’s forgotten corners 'And They Earned Eternity in a Brief Space of Time' explores public memory and the city's downtown architecture by Syd Walker
Above the Fold Mimi Park’s world-building renders art a living entity The artist’s latest exhibition, ‘Dawning: dust, seeds, Coplees,’ presents kinetic sculptures and lush greenery by Morgan Becker
Above the Fold Thomas Bayrle’s superforms construct the archetypes of mass society The artist's latest show, ‘Monotony in a hurry,’ features portraits of modern media's most ubiquitous faces by Morgan Becker
Above the Fold ‘The Andy Warhol Diaries’ offers a glimpse into the mind of the enigmatic American artist Christie's presents an online sale of 60 iconic works, including paintings, photographs, drawings, and a single NFT by Document Journal
Above the Fold Suchitra Mattai’s Guyana exists in the gaps of the Western archive The artist's latest exhibition 'Herself as Another' pulls from oral history and personal memory to reconstruct a picture of home by Emann Odufu
Above the Fold Liora Kaplan explores personal history and collective memory through ceramics The artist joins curator Julie Boukobza in conversation to speak on her love for found objects and seeing creative work as a meditative practice by Kayla Herrera-Daya
Above the Fold Martine Syms illuminates a space between secular and sacred at Prada Mode Los Angeles During Frieze Los Angeles, the artist and filmmaker created an interactive installation, 'HelLa World,' at Fairfax's Genghis Cohen restaurant by Hannah Ongley
Above the Fold In his New York solo debut, Ross Simonini explores the concept of a feel-good painting With language and laughter as his tools, the artist creates an idiosyncratic body of work by Rachel Small
Above the Fold A defaced 1930s-era painting raises questions about history versus virality How one bored security guard’s vandalism sparked a worldwide debate on the subjectivity of artistic value by Megan Hullander